2 Jul 2015

(194) Greenblatt's fatal idea of Shakespeare as "the most hidden of the great writers of the world "

Greenblatts observation of „ most hidden „ Shakespeare  is doubtless correct but Greenblatts assessments (and consequences) of the causes are fatal and disastrous!

one who is hardest to locate even when he seems to be speaking  more or less directly, as famously in the sonetts. 
  





Prof.Stephen Greenblatt,Yale-Univ., Literary critic, theorist, scholar, ->Pulitzer Prize winning author and Stratfordian Shakespeare expert, gave a "performed" lecture May 14, 2014 (s.->Video ) dealing with the influence of Mointaigne on Shakespeare, (see also article june 7, 2014  Daily telegraph and Blog 195)

In his presentation at the beginning he contrasted Shakespeare and Montaigne  by saying:


Montaigne
"….was perhaps the most open, the most public writer of his time and possibly of all times, the most directly open, the most willing to show himself..."


Shakespeare
"….was probably the most hidden of the great writers in the world, one who is hardest to locate even when he seems to be speaking  more or less directly, as famously in the sonetts. 


You haven’t a clou weather you are actually encountering that particular human being speaking directly: He was very good at hiding and among other things, sang out of jail, and he needed to worry about that, because he wasn’t protected by his social position, but he seem to have the temperament to keep himself hidden."

Greenblatt doesn't seem to make efforts for a scientific attitude: (i.e....trying to understand and  solve  Unanswered questions! <- click!). Why did Greenblatt never ask, if there might be some reasons or motifs, that Shakespeare had to hide himself,  why he was not open and why he did not show himself.(as Montaigne)..
Wouldn't Greenblatt inevitably have reached the conclusions of the  Marlowe/Shakespeare  authorship theory, supporting the idea that the name of ->John Florio must have been used as a pseudonym, similar to Shakespeare?  (read.-> Blog 9 )

Greenblatt's intuitive knowledge that Shakespeare tryed a lifetime to escape any control of his "being known"("most hidden")  (read->
Blog 10) fits like a key to the locked Shakespeare authorship problem.


 Marlowe achieved his hiding  by a  frequent change of his author's pseudo-nyms  or initials (including Florio and Shakespeare) which  could not be assigned to one person. 

The extent of personal and literary '"identity change", is beyond imagination.


Greenblatts / Shakespeare's Montaigne