Marlowe‘s case could be a very strong one!
Oxfraudians unfortunately handed over their common sense to the cloakroom of the authorship theater...
The Oxfraud community (with about 250 members) stated on their Website that they launched the site, five years ago to a chorus of jeers from Oxfordians everywhere, many of whom wrote to them explaining their insignificance and pointing out that they would be swamped by the onslaught of the new ‘post-stratfordian' paradigm.
With an inner joy they express that they „survived that onslaught, and every other one since including "The Stritmatterian Big Fist", the Declaration of Reasonable Unreason, the Wavian Teflon Fortress“ and here they „are still doing business.“
With an inner joy they express that they „survived that onslaught, and every other one since including "The Stritmatterian Big Fist", the Declaration of Reasonable Unreason, the Wavian Teflon Fortress“ and here they „are still doing business.“
... and „the business end of this argument would [now] be over and Oxfordians rarely would now emerge in public.“
___________________We learn ...
A) about 102 reasons to dismiss Oxford's candidacy. We learn that since the group first launched the site, the big (authorship) questions have been getting smaller. They ask themselves („strangely!“) „why there is anyone left at all believing in alternative authorship, is the biggest question today .“..but stunningly they also state ....
B) that „there are better candidates ...and alternative candidates.... Most of them better than the Earl of Oxford. „. A heavily commented part of the site.
Strangely enough you find a chapter about Christopher Marlowe's candidacy …claiming that it „has a great deal going for it“.... You learn from Oxfrauds website:
„There would be {only} one major hurdle to overcome. If De Vere was dead before a third of the {Shakespeare} plays were written, Marlowe was dead before almost any {? None!} of them were written. Marlowe died in a pub { ?...it was „a house“, owned by Eleanor Bull .....) in Deptford on 30 May 1593 There was a body, there were witnesses, there was an inquest, there were 16 jurors, there was a verdict and there was a funeral.{ really? everything discovered not even 100 years ago}„
„However, the historical sleight of hand required to turn the man from Canterbury into the man from Stratford {would be} only a fraction of what is needed to turn the 17th Earl into Shakespeare. And Marlovians are up to the task. They have an explanation for the witnesses, an alternative body and a host of reasons why Marlowe would want to play dead and could have pulled off a fake killing successfully.
We read..“..If Marlowe didn't die in 1593 and became Shakespeare then there is no need for the preposterous Oxfordian redating scheme. The plays, say Marlovians, were written and performed in an order which follows the rules of history, scholarship and common sense....“
...the rules of Common Sense:
Formulated and written by Oxfraud !
Unlike Oxford, Marlowe was a
gifted writer,
a pioneering playwright,
a superb poet and
a consummate craftsman.
Stylometry even places his vocabulary nearest to the vocabulary used in the canon (Oxford's is out by from here to Venus).
gifted writer,
a pioneering playwright,
a superb poet and
a consummate craftsman.
Stylometry even places his vocabulary nearest to the vocabulary used in the canon (Oxford's is out by from here to Venus).
Unlike Oxford, Marlowe was a commoner, a rare visitor to court with no rights or personal experience of courtoisie and matters of detailed hierarchy. His English history plays show shortcomings in knowledge of the court that are
almost identical to the gaps in Shakespeare's knowledge.
almost identical to the gaps in Shakespeare's knowledge.
Unlike Oxford, Marlowe was a graduate—an intellectual even. The so-called 'missing academic hinterland'
need not be improvised from fable as the evidence is all solid.
need not be improvised from fable as the evidence is all solid.
Unlike Oxford, there are plausible reasons for the switch with
no need for feeble pseudonymy or
the invention of claptrap like 'the stigma of print'.
no need for feeble pseudonymy or
the invention of claptrap like 'the stigma of print'.
Unlike Oxford, the use of a pseudonym in the publication of
Click Video —>Venus and Adonis
supports the argument instead of blasting it to smithereens.
Unlike Oxford, the cover up as Marlowe assumed his new identity in a milieu which already knew him as Marlowe
does not require the incredible invention of a second Shakespeare
to explain away topical references.
——————————
does not require the incredible invention of a second Shakespeare
to explain away topical references.
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Original Oxfraud text:
"If only Will had made zero impact before the publication of —>Venus and Adonis, (a fantastic nonsense!) Marlowe's could be a very strong case.!!!!!!!!"
