June 09, 2015

(171) True Shakespeare's (Marlowe”s) full parodic Epitaph on himself as the deadly wounded (and healed) hart...

Shakespeare’s FULL PARODIC EPITAPH

The metaphors of Holofernes and the wounded Hart 





In Shakespeare's early play "Love's Labour's Lost [LLL]" (Act IV/2-1594/95?) )  "Holofernes" asks the curate Nathaniel, whether he will  listen to "an extemporal Epitaph on the death of a deer, to humour the ignorant(...) called  the deer, the princess killed, a pricket",
 
The metaphorical epitaph is about the hunt for a deer*1] by means of wordplays with double meanings of "pricket" and "sore", and verbal tricks of changing word meanings by adding single letters ... sore -> soreL

After the deer was shot, a letter "L" was quickly added to the Sore, and out of the thicket sprang a Sorel, ...  it exemplifies the principle how the princess [the Queen as Judith] and the author [beheaded Marlowe/Shakespeare as Holofernes] solved her serious [Identity] problem  [by adding an "E" to Shak[e]speare —>  the Stratford-man became the Poet-Genius]



There can be little doubt that the
Epitaph in LLL  reveals a hidden autobiographical background of the author.
—-
Why did Shake-speare experts never feel the need to try to decipher the Metapher of the Epitaph?











1] Emblems out of Henry Peacham's Minerva Britannia (1612)  and George Withers "A collection of Emblems (1634)


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