(784) Theatricality in Audley End Annotations, by MARLOWE (=TRUE SHAKESPEARE)

Roger Strittmatter: The  Audley End Annotations

https://m.youtube.com/watch?v=6ujTnD9C1sE&t=1s

A MARLOVIAN  VIEW

The strongest arguments linking Christopher Marlowe to the intellectual world reflected in the library of Audley End House lies in a precise match of reading culture and mental habits: Marlowe’s works display 

           an exceptional command of Greek and Latin authors—

used in a way characteristic of elite humanist readers who actively annotated texts with political, rhetorical, and cross-referential marginalia;

Marlowes’ s translation of Lucan and his Tacitean sense of power, surveillance, and tyranny align exactly with the kinds of heavily worked classical books known to circulate in aristocratic, court-connected libraries like those of Thomas Howard, 1st Earl of Suffolk; moreover, the density, speed, and confidence with which Marlowe transforms classical material into drama strongly suggest not merely university learning but prolonged engagement with annotated texts typical of high-level courtly scholarship, making his intellectual profile far more consistent with the cultivated, politically attuned library environment of a great house like Audley End than with the narrower conditions of the commercial theatre alone——

 R E C O M M E N D A T I O N :  

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