The poetical satiric-allegoricall law-suit "The Great Assises (1645)"
can only be understood when accepting a Shakespeare/Marlowe Authorship conspiracy!
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In 1645 the "true" author wished that the "Typographie", an instrument of art, had never been used! [i.e. that his "artificial" penname Shakespeare had been adapted "typografically" from the real William Shaksper, Stratford] who possessed ..... [s.below
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... a pernicious head
... who has in Art no interest ... an employed Paper-waster ... a Mercenary soule ... a Poetaster ... a Mercinary pen-men of the Stage ... a Delinquent here: Shakespear ... a Mimicke ... an Errour of the Muses ... an Abortive Witt ... a foule fountain of abuse ... a reptile equivocally bred under some hedge Characterisation of the "false Shakespeare" from Stratford. |
It indicates that from the early beginning there were advocates of the Shakespeare authorship plot claiming that
it was a “matter of Typography”. -
Different spelling implied, as R.C. Churchill ["Shakespeare and his betters" 1958) puts it, "that there must have been two men: one, the Stratford man whom they mostly call 'Shaksper' or 'Shakspere', the other the real author whom they call 'Shakespeare' or 'Shake-speare' (with the hyphen)."
Twenty years after the appearance ot the "First Folio" in 1644 the anonymous author of "The Great Assises" [the true Shakespeare alias Torquato Tasso, alias Marlowe, alias alias alias ...] wished that an instrument of art (the "Typographie") had never been used! [Shakspeare versus Shak e speare] which characterized "the false Shakspeare" as a mercinary pen-men of the Stage, as a delinquent , a Mimicke , as an errour of the Muses, as an abortive witt, as foul fountain of abuses, as a Reptile bred under some hedge,, not in geniall bed, where lovely art with a brave wit conjoyn'd engenders poets of the noblest Kind [the "true Shakespeare"]
Twenty years after the appearance ot the "First Folio" in 1644 the anonymous author of "The Great Assises" [the true Shakespeare alias Torquato Tasso, alias Marlowe, alias alias alias ...] wished that an instrument of art (the "Typographie") had never been used! [Shakspeare versus Shak e speare] which characterized "the false Shakspeare" as a mercinary pen-men of the Stage, as a delinquent , a Mimicke , as an errour of the Muses, as an abortive witt, as foul fountain of abuses, as a Reptile bred under some hedge,, not in geniall bed, where lovely art with a brave wit conjoyn'd engenders poets of the noblest Kind [the "true Shakespeare"]
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