Deformed insights into Shakespeare due to a neglect of an authorship problem ?
In 2006 Claire Asquith (an orthodox Stratfordian and Catholic)
published a remarkable [highly recommendable] book: “Shadowplay: The Hidden Beliefs and Coded Politics of William Shakespeare. Her reasonable
assumption is that there are subtexts (underlined stories) within
Shakespeare's play dealing with religious conflicts of its time.
She found and analyzed clues ("hidden meanings" or code words
and phrases) clearly enriching our understanding in Shakespeare’s works and
life.- Strangely and unfortunately however, she poses the critical
syllogism for a true analysis of the work of William Shakespeare without giving
a single critical thought on the issue of whether Shakespeare was the Stratford
man. In stucking Exclusively on one subject, i.e. reinterpreting literally
everything as being explained in the light her „revisionist history“
thesis, she goes astray.
An example :
Exile
Sympathy with Failure
Oath Taking
The Murder of Innocence
The unquiet Conscience
Disguise
Divided Loyalty
Consider that both, othodox historian Claire Asquith as well as orthodox Peter Ackroyd, most likely are wrong .- These "insistent [conceptual] preoccupations" of Shakespeare clearly represent highly specific (auto)biographical aspects of the concealed Author [Marlowe], the true Poet Genius[ ...not to be confused with the Stratford Business man] with a multiplicity of Initials, Alias- or Pseudo-names and identities - (such as George Chapman, Henry Petowe, s.Blog 332, John Davies etc...) . He lived....
...in a inner and outer Exile, [banishment]
in sympathy with his Failure (his life catastrophy) ,
could not accept to take the Oath of Supremacy, [of James I]
was Innocently "Murdered", [unsubstantial death]
who had to Disguise with other identities and names,
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