Showing posts sorted by date for query 564. Sort by relevance Show all posts
Showing posts sorted by date for query 564. Sort by relevance Show all posts

March 03, 2020

(564) A seemingly unimaginable or unthinkable Shakespeare authorship thesis,

The base of a seemingly unthinkable thesis ,

 which alone is able resolving the century old controversy about  the Shakespeare authorship, 

einbau  / austausch

https://m.youtube.com/watch?v=DGWMiczH_iI&pp=2AYE


the  Multi-Pseudonymity Thesis

of the "real or true" Shakespeare!


   It can be supported literally by a thousands of arguments.
see incomplete List (alphabetical) of Links below

(   1. Blog Arguments as well as  2. YouTube-Video Arguments)


to 30 highly likely  Pennames or Pseudonyms of the
„The true poet genius Shakespeare“ ( aka Marlowe)

The "true" -->Shakespeare's [ Marlowe's] literary capacity 

 must have surpassed contemporary writers beyond imagination


_____________________________________


Find a List (incomplete - alphabetical) of likely Pennames
or
Pseudonyms of
„The True Shakespeare“ ( aka Marlowe)
_____. __L I S T of VIDEO -LINKS TO Pseudonyms of TRUE Shakespeare_____________________
Richard Barnfield (1)  https://youtu.be/s5Xq2OWplWo William Basse (2) https://www.youtube.com/watch?v=D5cS22VAqm0&t=1s Thomas Beard (3) Francis Beaumont (4) Nicholas Breton AA    BB (5) Thomas  Cary (6) William Clarke  (7)   https://youtu.be/tYPKa3xyHYo?t=1 George Chapman  (8)   https://www.youtube.com/watch?v=GZygXSElqlg&t=1s William Davenant (9) John Davies  (10)   https://www.youtube.com/watch?v=M9lar8Ymuwg&t=1s Michael Drayton (11) https://www.youtube.com/watch?v=57LKIFQTkFo&t=1s John Fletcher  (12) John Ford (13)  https://www.youtube.com/watch?v=zYRdNU6GJc4&t=1s Abraham Fraunce  (14) Bartholomew Griffin (15) https://www.youtube.com/watch?v=cJ2aAgiTj0M&t=1s Thomas Heywood (16) Thomas Lodge (17) Gervase Markham  (18) Philip Massinger (19) Thomas May (20) Henry Petowe (21) William Shake-speare  (22) https://www.youtube.com/watch?v=Z7VeQ7OER14&t=1s James Shirley (23) https://www.youtube.com/watch?v=CXy8C9kvj7A Josuah Sylvester (24)  https://www.youtube.com/watch?v=_qwFr6lEPZc&t=1s John Taylor (25)       Henry Percy (26)(9th Earl of Northumberland (24)  *april 
1564
Henry Willobie AVISA(28) https://youtu.be/zxnPqLuhFn4?t=1
George Wither (29)    https://youtu.be/euL6_WHv9OI?t=1

William Rowley Thomas Middleton Thomas Dekker John Webster Nathaniel Field

October 12, 2016

(468) Breton certainly another early penname (pseudonym) of Marlowe such as Shake-speare.

NICHOLAS  B R E T O N 

 "Rules of Conduct" perfectly  fit to Marlowe's fatal and endangered concealed life situation.-

_________
First Poem title   in Nicholas Bretons
 "Melancholike Humours"

Nicholas Breton an early penname of Marlowe (such as  Shakespeare !)

In 1600 Nicholas Breton published a small booklet "Melancholike Humours(1600)" with a Collection of verses with 30 poems of different styles .  -  Poem Nr. 1 [entitled "See and say nothing"] contains 9 verses of 4 lines [s.Faksimile 1-9 above].

Immediately you will notice that all 9 poems represent an

inner request to the author to be cautious and not to reveal himself:

1.    fortune affordes to do nothing, to keep quiet...
2. beware of the fate of Icarus ...
3. be silent, patient, deface yourself...
4. do not exhibit (show) yourself...
5. trust nobody...
6. keepe your secresies unseen...
7. be alert and do not languish overlong...
8. conceal and do not reveal your passion...
9. be secret with your thoughts...
__________

These "rules of Conduct" 
precisely fit to the life situation of the "true" Shakespeare: Christopher Marlowe.-

Subchapter (page 548-564 of Chapter 11 - German!) elaborates indications why Nicholas Breton (sometimes "Briton") has been a pseudonym of surviving Marlowe [ alias Shakespeare ]. -

 (Bretons   s.Vol.1 and Vol.2 of his workes)

Nicholas Breton an early penname of the "true"    Shakespeare !



VIDEO   Nicholas Breton  (ca 55 min)      



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December 19, 2015

(364) A metaphoric Blueprint of the the Shakespeare Authorship

A  F U N E R A L  E L E G Y  
Unbelievable, but….
  in reality an Allegoric Poem 
on TRUE SHAKESPEARE(=Marlowe)

s. also Blog 214 ,   ->Blog 260    ,  -> Blog 348  ,    ->364

_______________

„The Funeral Elegy“ (1612 with 578 lines [abab], printed by Thomas Torpe (T.T.), who edited »Shake-speares Sonnets«[1609])  obviously must be recognized as a poetic [allegoric] blueprint of the hidden destiny of the "true Shakespeare" (W.S.), Christopher Marlowe.-

——> BOOk-SUMMARY (Marlowe/Shakespeare Theory)

Nobody can expect us to believe, as postulated, that W.S. (William Shakspere) or John Ford dedicated these lines (in print 19 days  after the murder) to the brother of unknown William Peter, deadly stabbed into the head
 (!! corresponding to Marlowe's alleged fate .)
See also authorship debate William Niederkorn NYT 2002).-

 The Elegy can (and must?) be interpreted as a continuous allegoric self-presentation or self-portrayal of the fate of the author.- I see no alternative other than  to interprete the subsequent remarkable lines as an allegory to Marlowe's concealed destiny: they seem to need no further explanation or interpretation.-.

"Stratfordians" ("Oxfordians" or even  worse:"Oxfraudians") will, however, never reach any conclusion, since they are not  ready to accept the  Marlowe/Shakespeare theory , at least as a working hypothesis with the assumption that ...-


Marlowe survived and wrote under multiple pseudonyms such as Shakespeare or Ford.-

                                                                              For details s.Video!


____________________

Each of the following  single  lines elected  (numerated) more or less are indicative for a singular

 "autobiographical evidence (correspondence)" of Marlowe's destiny, life, thoughts or philosophy.- 

Who else, in 1612, could be meant or could fit with the stuning textual contents of  these  lines?

Excerpt of a Funeral Elegy«  
of  W.S.(1612) 
[Line Numbers correspond to lines of the Funeral Elegy]

  5  What memorable monument can last
      whereon to bild his never-bleemished Name
  8  oblivion in the darkest day to come
10  cannot rase out the lamentable tomb  
101 for his becoming silence gave such grace
139 my country's thankless misconstruction cast
      upon my name and credit,both unloved
145 yet time, the father of unblushing truth
      may one day lay ope malice which hath crossed it
159 For should he lie obscur'd without a tomb,
195 What can we leave behind us but a name,
  Which, by a life well led, may honor have?
      Such honor, O thou youth untimely lost,
207 My love to thee, which I could not set forth
     In any other habit of disguise.

210 To speak the language of a servile breath,
     My truth stole from my tongue into my heart,
    Which shall not thence be sund'red but in death.
215 But that mine error was, as yet it is,
    To think love best in silence: for I siz'd thee
223T' enlarge my thoughts was hindered at first,
    While thou hadst life; I took this task upon me,
    To register with mine unhappy pen
    Such duties as it owes to thy desert,
     And set thee as a president to men,
     And limn  thee to the world but as thou wert-
     Not hir'd, as heaven can witness in my soul,
231 Nor servile to be lik'd, free from control,
     Which, pain to many men, I do not owe it.
 237 But that no merit strong enough of mine
     Had yielded store to thy well-abled quill
     Whereby t'enroll my name, as this of thine,
240 How s'ere enriched by thy plenteous skill.
     Here, then, I offer up to memory
     The value of my talent, precious man,
     Whereby if thou live to posterity,
     Though't be not as I would, 'tis as I can:

293  He was not so: but in a serious awe,
      Ruling the little ordered common-wealth
      Of his own self, with honor to the law
341 Most unjust choler, which untimely Drew
      Destruction on itself; and most unjust,
     Robb'd virtue of a follower so true

369 to conquer death by death, and loose the traps
       He thus, for that his guiltless life was spilt
       by death, which was made subject to the course
423 T Grave-that in his ever-empty wombhe
       Forever closes up the unrespected
      Who, when they die, die all-shall not entomb
      His pleading best perfections as neglected
483   Look hither then, you that enjoy the youth
       Of your best days, and see how unexpected
        Death can betray your jollity to ruth
        When death you think is least to be respected!
        The person of this model here set out
492  Of his humanity, but could not touch

       His flourishing and fair long-liv'd deserts,
       Above fate's reach, his singleness was such-
       So that he dies but once, but doubly lives,
       Once in his proper self, then in his name;

499 And had the Genius which attended on him
   Been possibilited to keep him safe

   Against the rigor that hath overgone him,
   He had been to the public use a staff    [speare or shaft of a spear]
   Leading by his example in the path
 535 His due deserts, this sentence on him gives,
    "He died in life, yet in his death he lives."
564 Before it may enjoy his better part;
    From which detain'd, and banish'd in th' Exile

                        ________________
A variation on a recurrent pressing problem 
________________________________________________
The Marlowe Authorship Theory  recognizes the name „William Shakespeare“ (W.S.) as a pseudonym, deadly threatened  Marlowe borrowed (for safety reasons) from the living Stratford business man in 1593.


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