…Christopher Marlowe
as a Co-Author (co-writer)
of Shakespeare
——————
Video- ANNOUNCEMENT in the NEWS of CBS
For centuries, the question of Shakespeare's authorship has puzzled readers, scholars, and researchers. This blog presents a comprehensive solution: The Multi-Pseudonymity Theory (MPT). According to my research, Christopher Marlowe — officially declared dead in 1593 — survived and continued to write under multiple pseudonyms.
…Christopher Marlowe
as a Co-Author (co-writer)
of Shakespeare
——————
Video- ANNOUNCEMENT in the NEWS of CBS
CHRISTOPHER SHAKESPEARE
The man behind the plays
published 2016 by The Book Guild Publishing Ltd
————
Elliotts last paragraph (excerpt) of the Book:
reads:
The question from the beginning:“ How 2 men of preternatural Genius emerged in England at the very same time, is satisfactorily resolved , if we accept the overwhelming evidence showing them [Christopher Marlowe & [pseudonymous] William Shake-speare]] to have
been
One and the Same
„We should just refer to them in future as
„Christopher Shakespeare“
Why not
(William Marlowe)
---------------
Unfortunately Malcolm Elliott was not yet ready
to directly adress the Singular Marlowe/(=Shakespeare) Genius
thesis beyond the Stratford man?
Last sentence of Malcom Elliotts Book
Why Academic Stratfordianism
is a House of Cards?
The YouTube VIDEO (below!) questions the academic theory of Shakespeare's authorship, known as Stratfordianism.
The Video-Author describes it as a "house of cards" that continues to be held by the global academic community despite its alleged flaws.
-------------------------------------
It argues that there is no evidence for the authorship of William Shakespeare of Stratford, and his will contains no evidence of a literary life.
————
<--- The (German) book-source suggests that adherence to the Stratford-theory is based more on dogma, career interests, and the desire for a democratic genius myth than on truth.
It is suggested that Christopher Marlowe is the by far most plausible and logic candidate for the Shakespeare authorship.
——————————
VIDEO
WHY Academic Stradfordianism
is a House of Cards?
_----------------------------------
(ai Dialog - in German)
.... first trial...
...shortly After the occurence of NotebookLM —...... For all languages):
------------------------------
Why the Shakespeare Authorship Problem
e v e n a f t e r
almost 500 years
Could not be solved?
---------------
Why FRANCIS B A C O N
cannot have been
‚TRUE’ Shakespeare & thus is by no means
the ‚REAL‘ SHAKESPEARE C A N D I D A T E !
——-
Why Bacon and Shakespeare never ever met
or communicated with each other?
——-
What you definitely need to know about Toby Matthew in this context.”
ai Dialog Video (by NotebookLM)
about the Original Video (below)
Shakespeare-Authorship
A fictional comparison with MOZART
-------------------------------
The original video text examines the long-standing question of Shakespearean authorship by introducing a
hypothetical scenario
involving Mozart.
This thought experiment highlights the striking lack of contemporary evidence for Shakespeare’s artistic life and contrasts it with what one would expect from a celebrated genius.
----------------------------------
The author uses this comparison to present the official account of Statford-Shakspeare’s identity as flawed. Instead, the text suggests that Christopher Marlowe was the true poetic genius of the age, who, because of life-threatening circumstances, was forced to write under pseudonyms including“ Shakespeare”—to conceal his identity, while the man from Stratford emerged as a public figurehead.
————————————
(DEUTSCH)
Der orig.videotext untersucht die seit langem bestehende Frage der Shakespeare-Autorschaft, indem er ein hypothetisches Szenario mit Mozart vorstellt.
Dieses Gedankenexperiment verdeutlicht den erheblichen Mangel an zeitgenössischen Belegen für Shakespeares künstlerisches Leben und stellt ihn dem gegenüber, was man von einem gefeierten Genie erwarten würde.
Der Autor nutzt diesen Vergleich, um die offizielle Darstellung von Shakespeares Identität als fehlerhaft darzustellen. Stattdessen legt der Text nahe, dass Christopher Marlowe das wahre poetische Genie jener Zeit war, der aufgrund lebensbedrohlicher Umstände gezwungen war, unter Pseudonymen, darunter „ Shakespeare “, zu schreiben, um seine Identität zu verbergen, während der Mann aus Stratford als öffentliche Symbolfigur begann.
V I D E O - D I A L O G (ENGLISH)
Belonging to Original- Video (German - below!)
within 6 years
4 -King Edward Plays
by 4 differnt authors (?)
The most famous N O B O D Y
…has been a
S O M E B O DY
(Shakespeare alias Marlowe)
The Author of all 4 King-Edward Plays
--------------
KI- D I A L O G- VIDEO
by NotebookLM
Originated from the Original-Video (below!)
Dialog KI VIDEO (NotebookLM)
Marlowe, exposed -
The absurd Myth of the
Stratford - Shakespeare
——————
The greatest LITERARY HOAX :
Shakespeare & the
STRATFORD MYTH
The Video argues
that the traditional attribution of Shakespeare's works to William Shakespeare of Stratford-upon-Avon is the greatest literary hoax in history, asserting instead that Marlowe (who allegedly feigned his death) wrote under the SHAKE-SPEARE pseudonym and others.
It critiques alternative candidates like Oxford and Bacon as poor fits while positioning Marlowe as the ideal match, tying into the blog's multi-pseudonymity theory.
--------------------------------------------
VIDEO