Who else but Marlowe (prior to 1596) could have composed this
highly "authentical" S O N N E T 53?
Still the same: but made another!
Sonnet 53 in the Sonnet Cycle "Fidessa" (1596) of an untraceable Bartholomew Griffin describe authentically the authors own destiny of banishment, exile and identity change ("made another").-
The contents of the 62 Sonnets correspond largely to aspects of the destiny of Christopher Marlowe alias "The true Shakespeare. ( s.Blogs 414 , - 415 -, - 416 -, - 417 -, - 418 -)
The sonnets must be seen metaphorically as a dialogue between the desperate author and his lost godess of trust "Fidessa". She was one of the original virtues of actual religious divinity, the vertue of "trust", of "faith", "confidence", "loyalty" (Lat.:"FIDES")
Who else but Marlowe (prior to 1596) could have composed this highly sophisticated and "authentical" poetic context?