"No-one can seriously assume that "Hamlet" is pure literary fiction:
it contains massive autobiographical traces. No autobiographic connections, however between Hamlet and William (Stratford) could ever be established. -
The metaphor of Marlowes unsubstantial death or murder!
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is a self-revealing "coming-out" of Hamlet [...or of its author, its inner voice , its ghost , "second-selfe", "super-ego".etc...] .-
In "Loves Labors Lost (LLL)" Shakespeare expressed his commonly used "philosophy" or "literary dialogue technique" of presenting his own thoughts and ideas by dividing them bet-ween different subjects. (Most often between himself and his virtues, his muses, his bounties, his second selfe, his ghost, but also behind real or fictive persons ) :
In "Loves Labors Lost (LLL)" Shakespeare expressed his commonly used "philosophy" or "literary dialogue technique" of presenting his own thoughts and ideas by dividing them bet-ween different subjects. (Most often between himself and his virtues, his muses, his bounties, his second selfe, his ghost, but also behind real or fictive persons ) :
LLL(II/5): Put thyselfe [e.g.Hamlet/alias Shakespeare/Marlowe] in the trick of singularity [your outer voice] She [ your inner voice, Ghost ] thus advises you that sighs for thee.
Hamlet I/V Ghost scene |
Do all those who maintain the Stratfordian position, mean to tell us that we need to believe, that this text is literary fiction and that we will not recognize specific hidden allegoric informations about the author and his biographic situation? -
Nobody must accept that autobiographic interpretation of a coming-out of the author, but then we should expect, that better, more plausible proposals of "autobiographic" meaning of this contextare are given
Nobody must accept that autobiographic interpretation of a coming-out of the author, but then we should expect, that better, more plausible proposals of "autobiographic" meaning of this contextare are given
Hamlet
i render up myself
i render up myself
lend thy hearing to what I shall unfold
doomed for certain time to walk at night
I am forbid to tell the secret of my prison-house
murder most foul, as in the best, it is;
this most foul, strange and unnatural..[murder]
no reckoning made, but to my account.. at once dipatched:
cut off even in the blossom of my sin.
the whole ear of [England] is by a forged process of my death rankly abused
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