A D E F E N C E
of MARLOWEs MULTI-PSEUDONYMITY THEORY
With 5 Examples
(Heywood, Middleton, Taylor , Wither, Clarke/Covell
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5 chosen pseudonyms (of many more) of the “TRUE” Shakespeare—Wither, Heywood, Taylor, Middleton, and Clerke—do not merely support the argument: they expose it. Together, they form a coherent and unavoidable framework that validates Christopher Marlowe’s Multi-Pseudonymity Thesis (MPT).
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At the same time, they lay bare the otherwise unspeakable truth: that the Shakespeare authorship problem, after more than four centuries, remains fundamentally insoluble—
u n l e s s
Marlowe’s concealed survival and systematic use of multiple literary identities is finally acknowledged.!
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