For centuries, the question of Shakespeare's authorship has puzzled readers, scholars, and researchers.
This blog presents a comprehensive solution:
The Multi-Pseudonymity Theory (MPT).
According to my extensive research, Christopher Marlowe — officially declared dead in 1593 — survived and continued to write under multiple pseudonyms.
(605) 3 "Apocrypha Shakespeare' Plays" : A gigantic abyss of Academic Failure!
SHAKESPEARE's APOCRYPHA
A gigantic Abyss of Academic inability
of Reasoning in Humanities
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The AI-Dialog VIDEO (by NotebookLM) deals with the ORIGINAL VIDEO ( below) of 3 plays of Shakespeare’s Apocrypha "A Y o r k s h i r e Tragedy, "The L o n d o n Prodigal" and "P e r i c l e s" , that it calls a fundamental failure of academic reasoning in Shakespeare studies.
Pericles, a play long treated as semi-apocryphal and only reluctantly admitted into the canon. The speaker argues that Periclesdemonstrates
how unstable and arbitrary the boundary between “canon” and “apocrypha” really is.
For centuries, the play Pericles was dismissed as unworthy of Shakespeare because of its perceived stylistic unevenness, only to be rehabilitated later through ad hoc theories of collaboration. The same reasoning, (the video claims), is denied to other apocryphal plays such as A Yorkshire Tragedy or The London Prodigal.
Scholars excuse weaknesses in Periclesbut use similar features to exclude other works. This double standardreveals a circular logic: Shakespeare is defined by assumed excellence, and anything judged inferior must therefore be NON -Shakespearean.
The video concludes that
Periclesalone already undermines the credibility of the traditional canon-building process and exposes the methodological inconsistency at the heart of Shakespeare scholarship.
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