July 26, 2025

(719) Richard Knolles (assumed MARLOWE) translation (1606) of Jean Bodin‘s :les 6 livres de la republique (1576)

      RICHARD   K N O L L E S 
(Translator of Jean Bodin)



                                              Knolles as a supposed pseudonym 
                             of Marlowe (aka true Shakespeare)
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Why Richard Knolles’s English "translation" of Jean Bodin’s preface does not correspond to the original

Richard Knolles’s English version of Jean Bodin’s preface (in The Six Bookes...) bears little or no resemblance to Bodin’s original French dedication or preface

                                                  in his Six Livres de la République (1576). 


 The Original French Preface (1576)

Bodin's original preface is a formal dedication to Monsieur du Faur, a French royal councillor. It is rich in political, philosophical, and theological content. Bodin introduces his concept of sovereignty, criticizes political misreadings (especially those of Machiavelli), and presents his vision of a godly and orderly commonwealth.

A typical idea from Bodin might be paraphrased as:

“The prince must rule his subjects in imitation of God’s wisdom…”

This preface is deeply intellectual and programmatic—it sets the tone for a comprehensive political philosophy grounded  in divine order, natural law, and humanist learning.


Knolles’s English Preface (1606)

Knolles published his English version in 1606 under the title:
The Six Bookes of a Commonweale.

However, his “translation” of the preface is entirely different in tone, structure, and content. Instead of faithfully rendering Bodin’s philosophical reflections, Knolles presents:

  • translator’s apology (justifying his own work),

  • praise of Bodin as a great learned man,

  • And a description of the challenges of translating such a work from both Latin and French.

There is no reference to Machiavelli(!). ,   no theological framework, and no explicit articulation of Bodin’s political agenda.


Side-by-Side Comparison (Simplified)

Theme or ElementBodin (French Original)Knolles (English “Preface”)
AddresseeMonsieur du Faur (a real French statesman)The English reader, in general
ToneFormal, intellectual, personal dedicationDetached, generic, apologetic
Political ContentStrongly programmatic; opposition to MachiavelliLargely absent or softened
Religious ViewpointEmphasis on divine law, natural orderMinimized or removed
FunctionOutlines Bodin’s theory of sovereigntyExplains Knolles’s reasons for translating
Self-PresentationBodin as political thinker and reformerKnolles as faithful translator and learned mediator

Why is there such a stark difference?

Several key factors seem to explain this major divergence:

➤ Translation Conventions of the Time

In the early 17th century, translation was not understood as it is today. Translators often saw themselves as adapters, mediators, and improvers, not merely conveyors of the original text. Freely reworking or omitting sections was not considered dishonest but rather necessary adaptation.

➤ Political Sensitivity

Bodin was a French Catholic with ideas that could appear dangerously radical or too continental in Jacobean England. Knolles, working under English censorship, may have omitted or reshaped politically delicate ideas to fit the context of an Anglican monarchy wary of foreign models of sovereignty.

➤ Religious Differences

Bodin’s frequent appeals to divine providence and his philosophical theology might have raised alarms in England. Knolles likely toned down or removed these references to avoid offending religious sensibilities or political authorities.

➤ Knolles's Self-Positioning

Rather than stepping aside to let Bodin speak, Knolles used the preface to elevate himself as a learned Englishman capable of handling a dense French/Latin text. The preface becomes a stage for Knolles’s own voice, not Bodin’s.


A Specific Example (Reconstructed)

Let’s compare a reconstructed idea from Bodin with how it would appear (or disappear) in Knolles:

Bodin (in French):
"As God governs the world with wisdom and justice, so must the prince govern his commonwealth..."

Knolles (English preface):
"Having long observed the worth of Monsieur Bodin’s labors in the Commonwealth, I thought it not unfitting to make these available to English readers…”

This isn’t a mistranslation—it’s a complete redirection of purpose.


What Can We Conclude?

This discrepancy is not simply a mistake or an oversight—it reflects

  • The pressure of political and religious context

  • The desire of translators like Knolles to frame the work in terms accessible and acceptable to their own audience

In short: Knolles did not translate Bodin’s preface. He replaced it.

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V I D E O.

This video tries to identify  the obscure figure of 

John B O D E N HAM ( a deliberate Corruption

of the  famous French Philosopher  Jean B O D I N)


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July 10, 2025

(717) Much ado about something, Shakespeare & Marlowe.


Mike R U B B O 
"Much ado about Something"   

Documentary with essential Non-Stratfordians  (Marlowians)
of  the last century

Like
Calvin Hoffman
Peter Farey
Dolly Wraight
Andy Gurr
Michael Rubbo (Daryl Pinksen)
John Hunt
Charles Niccol ( “Pseudo-Marlowian”)



Charles Nicholls  (“The Reckoning")                    
                              at 17:30 min in Rubbo’s Docu  (part 3)    Below!                                               
 Charles Nicholl

Between   1992 and 2002 several editions of Charles Nicholls „The Reckoning, „appeared. One notable shift was , who he portrayed as the chief mover behind the conspiracy. 

(1) Early on he emphasized the Earl of Essex’s role;  (2) in the second edition he shifted focus toward Sir Robert Cecil and added new material, including a chapter on the spy Thomas Drury and an appendix addressing critics.

That indicates Charles Nicholls willingness to respond to scholarly challenges and refine aspects of his argument while , however , he consistently rejected the Marlowe Theory (=Marlowe’s survival and authorship of Shakespeare’s works,) explicitly citing the Coroner’s report wirh the (the very Late discovery 1925)  record of Marlowe’s death as grounds for dismissing claims that Marlowe lived on to write Shakespeare’s plays.


MIKE RUBBOS full Doku  (1-3) on Marlowe


  Part 1  Rubbo Doc 1

  Part 2  Rubbo Doc 2

  Part 3  Rubbo Doc 3

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(716). This 1955 Book Destroyed the Shakespeare Myth: Calvin Hoffman and the murder of Marlowe.


The Book That Changed Everything: 

Calvin H O F F M A N
and the Murder of Marlowe

Calvin Hoffman

                     his ground-braking book 1955

The Murder of the man who Shakespeare.

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————————————————————————
VIdeo 
VIDEO  After the Opening of the Tomb of the WALSINGHAMS


Indeed, the great disappointment for Calvin Hoffmann came in December 1955, when — after years of campaigning — he was finally granted permission to open the tomb of Thomas Walsingham and his wife Audrey at St Nicholas Church in Chislehurst, Kent. 

Hoffmann, a passionate advocate of the Marlowe-as-Shakespeare theory, had long speculated that Walsingham, Marlowe’s known patron and close associate, might have preserved documentary evidence of Marlowe’s survival and authorship of the Shakespeare works — perhaps in the form of letters or manuscripts buried with him.

Hoffmann believed that such documents might have been placed in the grave either deliberately by Walsingham or later, as a way to safeguard the truth for posterity. With great anticipation, and under the watchful eye of local officials, the grave was opened. But to his immense disappointment — and that of his few supporters — no papers, no hidden manuscripts, not even a fragment of parchment was found. Just the remains of Walsingham and his wife, undisturbed by literary intrigue.

This moment was a turning point. It dashed any immediate hope of a sensational material discovery and reinforced the perception — especially among mainstream scholars — that Hoffmann's theory was speculative at best. Yet Hoffmann did not give up. He continued to write, publish, and promote the idea that Marlowe faked his death in 1593 and lived on to write under pseudonyms, most notably that of William Shakespeare.

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Ironically, though the tomb yielded no physical documents, the very absence of such evidence was interpreted by Hoffmann not as disproof, but as an indication that the secret had been better kept than expected !!!

———————-

a  film-maker Mike Rubbo
heavily influenced by Calvin Hoffman  produced  
a documentary. (Excerpt 8min - below!)


Click this URL adress of this VIDEO  (Excerpt)


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MIKE RUBBOS full Doku on Marlowe:


YouTube Video

Click    Part 1  Rubbo Doc 1

Click.   Part 2  Rubbo Doc 2

Click.   Part 3  Rubbo Doc 3

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June 15, 2025

(715) 5 of Shakespeares many PSEUDONYMS --- Bastard, Bodenham, Brathwaite, Cotgrave, Hubert


Pseudonymous Identities 
of  TRUE SHAKESPEARE

PART 1 ( of 3)

         Part 1  Bastard, Bodenham, Brathwaite, Cotgrave, Hubert (s.Blog 651) 
----------------------
   Part 2. Brome, May, Percy, Southwell, Whitney (Blog 652)
        
   & Part 3 Weever, Webster, Guilpin, Peacham, Middleton
 (Blog 653)
——————


These  video  addresses the debate over the authorship of William Shakespeare and advances the theory 
that the genius Christopher Marlowe operated
 under multiple pseudonyms. 
---------------
The videos argue  that identities such as Thomas Bastard, John Bodenham, and Richard Brathwaite were merely cover names designed to protect Marlowe’s true existence after his feigned death. 

By analyzing biographical parallels and encoded literary clues in works by John Cotgrave and Francis Hubert, the video seeks to demonstrate a single underlying identity behind these figures. 

These  multiple masquerades served to conceal a life-threatening fate while simultaneously preserving a monumental literary legacy for posterity. The arguments relie primarily on textual correspondences and allegorical epitaphs 
pointing  to Shakespeare’s true origin.










https://youtu.be/5MBv2aLL8V4?t=3


s. also BLOGS      651,    652   ,   653


LIT HOAX URL ADRESSES

The greatest Lit.Hoax .. Fraud

https://m.youtube.com/watch?v=BgZwFqWMxNw

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Final  last Video

https://youtu.be/Bvtlq_1vsQM?si=uDqlZ5S63hL8bjl0

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The greatest lit.Hoax.—-    MYTH 

https://m.youtube.com/watch?v=m_Iato4eL9k



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5 Pseudonyms  (part 1 )

5 Pseudonyms  (part 2)
https://the-true-shakespeare.blogspot.com/search?q=652

5 Pseudonyms  (part 3)
https://youtu.be/zF1epADljUE

(714) Tomas Lodge and the Shakespeare Mystery.

Thomas L O D G E 

The Shakespeare  Authorship Mystery will only become solvable, 
when the wise part of a our literary and theatrical world 
community begins to accept, that the only  

"TRUE" english universal poet genius 
Christopher MARLOWE did not die but survived ,
 by writing under a Multiplicity of Pennames (as SHAKESPEARE) 

and many others, including 
(In this VIDEO)
Thomas L O D G E  )
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For Details study this VIDEO 
  (43 Min.!!)


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June 14, 2025

(713) The Shakespeare Authorship question can only be tackled in a 2 Step procedure!

The necessary 

2 Stage (Step)  procedure,  

to refuse the Stratford Thesis


Stage 1 — The Negative Stage: Deconstruction of Stratfordian

                                                                                      Orthodoxy

Stage 2 — The Positive Stage: Construction of the True Author

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  I copied here  from the Blog 457 (Link below) of the Marlowe  Blog Web Page!


Link - Corresponding Blog 457

https://draft.blogger.com/blog/post/edit/4224101577440702451/5152981677306964583

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The authorship Problem  has to consist  of  2 separate  consecutive steps of a solution approach.. 

________________

First Illustration (left - click link below!of Shakespeare "
 In William Dugdale's: The Antiquities of Warwickshire illustrated 
1656 compared to the Stratford monument today   

Step 1Why it was not (or could not possibly have been William of Stratford? 

 [..,  some reasons.e.g.Video 1/Video2
 the Author of "Hamlet" or "Venus and Adonis" . ]

I assume Step 1 would be accepted by a majority of farsighted critical and rationally thinking people, (...not to be confused with  Shakespeare Academicstheir acceptance of step1  would mean  "Career Suicide" if  for  the consecutive second Step a rationale answer would or could  have been found  

- Step 2:  Since  William of Stratford was not the author, then who was it

Why  no logic and  definite solution of this crucial 2nd step and question could be achieved for 2 centuries: Why instead a factual problem  was endlessly  ridiculed by discussing 75 candidates and disposing it at the landfill of conspiracy theories?

There seems to be  a clear dilemma: 
First Step  and Second Step cancel each other out:   
They are mutually dependent!

Some famous Non-Stratfordians

To repeat myself:  after a century of  arguments assembled there is no longer a logical compelling necessity to accept  the First Step,  (i.e. to recognize William from  Stratford as the true author of Hamlet, Romeo &Juliet etc.) :  there are definitely not sufficient plausible arguments that William of Stratford was a literary Polymath!  

Otherwise  over centuries a community of "Non-Stratfordians"  would never have been formed.

But even today Non-Stratfordians (such as Diana Price a.o.  ) committing the deplorable error to concentrate on Step 1...and seem to fear the second step as the devil the holy water.
Thus the more complex Second Step has not even begun to be analysed,  discussed or understood---and that's why the solution of the  unique authorship issue meanwhile stagnates for a century!...

A breakthrough in solving the fundamental  authorship issue will only be possible, when  we definitely close [for a while] the trail 1[step1]concentrate on trail 2[step2] and  study the consequences of  thoughts which have not been thought through.-  

          Only by finding Trail  we will be able  to find the Exit.

The Thesis of a Marlowe /Shakespeare Authorship plot is by far the most plausible one ! 

Lets follow the Trail of Marlowes survival that actually happened! (at the expense of the change of  his Name and Identity)



It seems that a rare  Engl.Marlowian Ros BARBER followed this Trail., in a certain way.


Ros Barber‘s Video on „
HOW TO WIN THE AUTHORSHIP ARGUMENT


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