Marlowe, exposed -
The absurd Myth of the Stratford Man
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For centuries, the question of Shakespeare's authorship has puzzled readers, scholars, and researchers. This blog presents a comprehensive solution: The Multi-Pseudonymity Theory (MPT). According to my extensive research, Christopher Marlowe — officially declared dead in 1593 — survived and continued to write under multiple pseudonyms.
Marlowe, exposed -
The absurd Myth of the Stratford Man
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The greatest literary hoax:
Shakespeare & the
STRATFORD MYTH
Why MARLOWE
does not dominate the
SHAKESPEARE authorship debate?
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TOP 10
Arguments for MARLOWE
as the only plausible 'TRUE' Shakespeare
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TOP 10 arguments against
the B A C O N - SHAKESPEARE
authorship thesis
.................
Debunking
the Oxford - Shakespeare Authorship
Thesis
12 A R G U M E N T S
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Top 10 ARGUMENTS
against William Shakspere (Stratford) ,
as the author of HAMLET
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This YouTube transcript argues against the traditional authorship of William Shakespeare, highlighting the lack of evidence (TOP 10 arguments) linking the Stratford man to the works attributed to him.
The video claims that Shakespeare's supposed lack of education, absence of personal writings, and the inconsistencies within his works point to another author.
It proposes Christopher Marlowe as a more likely candidate, possessing the necessary education and connections.
, the video calls for a reassessment of the Shakespearean canon based on historical evidence rather than entrenched myths.
Dialog about Richard N I C C O L S,
last editor (1610) of "the Mirror of Magistrates".
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the largely unknown Richard Niccols, who edited the 1610 edition of A Mirror for Magistrates, must have been a Pseudonym for "true"Shakespeare (= Marlowe). The argument hinges on stylistic similarities between Nichols’s works and Shakespeare’s, as well as biographical details within Niccols’s poems that align with events in Shakespeare’s life, suggesting a concealed autobiographical connection.
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The video uses textual analysis of Nichols's poems, including "A Winter Night's Vision", "The Three Sisters' Tears", and Sir "Thomas Overbury's Vision", to support this claim. The presenter analyses the use of allegory, recurring motifs, and personal confessions to build their case. The overall thesis suggests that the 'obscure' Niccols was a carefully constructed literary persona used by 'true' Shakespeare (Concealed Marlowe) to publish works under a different identity.
ai Video Dialog on the original Video (below)