For centuries, the question of Shakespeare's authorship has puzzled readers, scholars, and researchers.
This blog presents a comprehensive solution:
The Multi-Pseudonymity Theory (MPT).
According to my research, Christopher Marlowe — officially declared dead in 1593 — survived and continued to write under multiple pseudonyms.
(Autobiogr. Disclosures of the "true" Shakespeare)
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This video presented evidence that Shakespeare’s play Cymbeline contains encrypted autobiographical accounts of the life of Christopher Marlowe.
The author argues that Marlowe merely feigned his death in 1593 and continued to write under the pseudonym Shakespeare, a circumstance reflected in the character of P o s t h u m u s.
Through a detailed analysis of specific scenes, parallels are drawn between the fictional fate and Marlowe’s alleged banishment, his involvement in intelligence work, and his life in exile.
Particular emphasis is placed on allegorical references to an arrest, a deception involving a substitute corpse, and the significance of the name
Posthumus as an indication of a life
a f t e r official death.
Ultimately, the text aims to challenge the conventional attribution of Shakespeare’s works and to present Marlowe as the 'TRUE' genius operating behind the scenes.
ai Video- Dialog
created by NotebookLM about the ORIGINAL VIDEO below.
This YouTubeVideo argues against the traditional authorship of William Shakespeare, highlighting the lack of evidence linking the Stratford man to the works attributed to him.
The video claims that Shakespeare's supposed lack of education, absence of personal writings, and the inconsistencies within his works point to another author.
It proposes Christopher Marlowe as a more likely candidate, possessing the necessary education and connections.
The Video criticises the academic world's unwillingness to seriously examine alternative theories, attributing this to the preservation of established narratives and financial interests.
Ultimately, the Video calls for a reassessment of the Shakespearean canon based on historical evidence rather than entrenched myths.
AiConversation / Dialog on Arguments about a Video concerning Thomas Heywood
as a definite Penname
of 'True' Shakespeare
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This YouTube conversation / dialog (by AI Google - NotebookLM) centers around an earlier own 'Original' Video arguing that the playwright Thomas Heywood was not a separate author but rather a Pseudonym used by 'true' Shakespeare, as Christopher Marlowe.
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The video presents numerous examples of how Heywood’s works reflect Marlowe’s life and writings, suggesting that Heywood was a literary mask used by Marlowe to continue writing after his supposed death.
The video also highlights similarities between Heywood’s writing style and Shakespeare's, strongly suggesting a single author behind both names.
The YouTube video titled "'Cymbeline' is no Tragedy, unless the (autobiographic) tragic story of Marlowe (November 13, 2019,) explores the Shakespeare authorship question.
It argues that Christopher Marlowe is the most logical candidate as the true author behind the pseudonym "William Shakespeare" for the play Cymbeline.
The Video posits that the work is not a traditional tragedy but an autobiographical reflection of Marlowe's own life experiences, including themes of exile, banishment, disguise, mistaken identities, imprisonment, a prophetic dream sequence foretelling future happiness, and a feigned death involving a tavern reckoning and a substituted corpse.
Key evidence presented includes:
Connections between character names like Posthumus and Leonatus to Marlowe's personal destiny and biography.
References to scholars such as Calvin Hoffman, A.D. Wraight, Peter Bull, and Rosalind Barber, who support Marlovian authorship theories.
Analysis of specific scenes, such as Act 5, Scene 4, where Posthumus's dream and interactions with ghostly figures (e.g., his parents and brothers) mirror Marlowe's alleged faked death and survival.
Contrasts with William Shakespeare of Stratford's life, noting a lack of matching biographical parallels, and citations from critics like Harold Bloom, who viewed Cymbeline as a romance rather than a tragedy.
The video emphasizes Marlowe's 1593 "death" as a staged event to escape persecution, allowing him to continue writing under the Shakespeare name, with Cymbeline serving as a veiled confession of his ordeals and eventual happiness in exile.
This YouTube "Dialog-Video" discusses the "ORIGINAL Video-Contribution"(s.below) on the book "Willobie his Avisa", a satirical allegory (1594) which, it is argued, provides evidence that Christopher Marlowe was the true author of Shakespeare's works.
The video asserts that the text (of AVISA) is a coded confession of Marlowe's "fatal change of destiny" in 1593, including his alleged death and the usurpation of his identity by a "William Shakspere".
The video claims that this evidence is concealed through complex poetic devices, including the use of allegory and a "faint name", "A V I S A" , which signifies the "U N S E E N " muse
The Video highlights key arguments and points to specific passages within the text in support of its claim, and suggests that
Marlowe's tragic end was a deliberate actto protect himself from persecution.
The VIDEO investigates the 1612 poem A
Funeral Elegy traditionally attributed to “W.S.” — often assumed to
mean William Shakespeare.
The historical context: the elegy was published shortly after the
death of the dedicatee, William Peter, and printed under the initials “W.S.” The Video
explains why early editors and some scholars once included the elegy in
Shakespeare’s corpus.
It then outlines various linguistic and stylistic analyses that
question Shakespeare’sauthorship. The
video contrasts Shakespeare’s known style with the elegy’s metrics, vocabulary,
and thematic tone.
Alternative
candidates for the poem’s true author are discussed, especially John Ford, a lesser-known Jacobean poet.
Evidence for Ford includes
similarity in diction, context of his connections to the Peter family, and
literary patterns.
The
video reviews past scholarly debates — including proponents and opponents of
the Shakespeare attribution. It
notes that some computational and forensic linguistic studies have weighed in
on both sides.
The Video weighs the balance of evidence and argues for a single
highly plausible author (Marlowe) with many pseudonyms, in the present case: Shakespeare
& John Ford.
It concludes by encouraging
a re-examination of A Funeral Elegy
outside the traditional Shakespearean framework.
