This video presents the theory that the historical “Water Poet” John Taylor was merely a fictional identity of the dramatist Christopher Marlowe. (Alias TRUE Shakespeare).
The author of the VIDEO argues that Marlowe staged his own death and thereafter continued his work under various pseudonyms, including that of Shakespeare and (here) John Taylor.
Numerous inconsistencies in Taylor’s biography—such as his sudden emergence as a highly gifted poet without any prior literary background—are cited as evidence for this thesis. Through detailed textual analyses of works such as Taylor’s Motto, the video seeks to demonstrate that the autobiographical references and complex metaphors are more consistent with an exiled Marlowe.
Ultimately, Taylor is portrayed as part of a network of cover names used by Marlowe to secure his continued existence in secrecy. The investigation thus radically challenges the conventional literary attributions of the seventeenth century.
