Consider the Impossible !:
The same iodiomatic Metaphor was used by 3 poets living at the same time:
Christopher MARLOWE -- William SHAKE-SPEARE -- Thomas HEYWOOD
the launching of a Thousand Ships
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THIS FITS THE OBSERVATION:
The great tragic Epic Poem "Lucrece", by William SHAKESPEARE
appeared as a stage Play "The Rape of Lucrece" (A "True ... Tragedy") by Thomas HEYWOOD!
Isn't it logic and plausible that the inventor of the poetic metaphor of the crime of
Tarquin against Lucrece was the same [C.M.] who published his auto-biographical parable or metaphor (his offense as a "Traitor" against the Queen) as a "True ...Tragedie".  |
William Shakespeare Thomas Heywood
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Thus, it seems more logical and plausible to assume, that
The "LAUNCHING OF A THOUSAND SHIPS"
must have originated from one and the same brain .
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Thomas Heywood: The English Traveller"
Beginning of the Epistle "To the Reader"....
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"Thomas Heywood"
Who was this extreme prolific writer? It seems far more likely than that Heywood's two hundred and twenty 220 Plays have completely disappeared, that they still exist, but were written and printed under a great variety of pennames.
Given the high literary level and the additional informations about Heywood
the only plausible conclusion remains that Heywood (like Shake-speare) must have belonged
to Marlowe's Pennames!
for some more Details click VIDEO
for some more Details click VIDEO
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Can anyone really imagine that within a few month two
authors (Shakespeare/Heywood) produced such similar contextual ideas?
TEXT-COMPARISONS BETWEEN
Shakespeare's op.1 , Venus & Adonis (1593)
and Heywood's op.1 Oenone & Paris (1594
SHAKESPEARE VENUS & ADONIS The first heir of my invention. --.
HEYWOOD OENONE & PARIS The first fruits of my endeavours and the maidenhead of my pen.
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SHAKESPEARE VENUS & ADONIS my unpolished lines. --
HEYWOOD OENONE & PARIS
rude and unpolished. --.
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SHAKESPEARE VENUS & ADONIS honoured you with some graver labour.
HEYWOOD OENONE & PARIS
I may in some other opere magis elaborato.
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SHAKESPEARE VENUS & ADONIS I leave it . . . to your heart's content.
--.
HEYWOOD OENONE & PARIS
But, leaving . . . to their heart's content. --
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SHAKESPEARE VENUS & ADONIS Stain
to all nymphs. –
HEYWOOD OENONE & PARIS Stain to the nymphs. –
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SHAKESPEARE VENUS & ADONIS His louring brows. – .
HEYWOOD OENONE & PARIS His louring look. –
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SHAKESPEARE VENUS & ADONIS strong-neck'd steed. –
HEYWOOD OENONE & PARIS stiff-neckt steed. –
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SHAKESPEARE VENUS & ADONIS flint-hearted boy.
HEYWOOD OENONE & PARIS flint-hearted Phrygian.
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SHAKESPEARE VENUS & ADONIS She locks her lily fingers one in one.
HEYWOOD OENONE & PARIS wring my lily fingers in thy fists..
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SHAKESPEARE VENUS & ADONIS Fie! lifeless picture, cold and
senseless stone.
HEYWOOD OENONE & PARIS A cold and senseless stone . . . such a picture.
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SHAKESPEARE VENUS & ADONIS Cynthia . . . her silver shine. –
HEYWOOD OENONE & PARIS Cynthia . . . her silver white. –
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SHAKESPEARE VENUS & ADONIS Then mightst thou pause, for then I
were not for thee;
But having
no defects, why dost abhor me?
HEYWOOD OENONE & PARIS Disdainful Paris, dost thou then abhor me? What reason hast thou that I am not for
thee?
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SHAKESPEARE VENUS & ADONIS hath done me double wrong.
HEYWOOD OENONE & PARIS have done me double wrong.
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SHAKESPEARE VENUS & ADONIS That
in each cheek appears a pretty dimple.
HEYWOOD OENONE & PARIS Ah! those his amorous cheeks with pretty dimples..
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SHAKESPEARE VENUS & ADONIS new-fall'n snow takes any dint..
HEYWOOD OENONE & PARIS The melting snows take any deep impression. --
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SHAKESPEARE VENUS & ADONIS The grass stoops not, she treads on it
so light..
HEYWOOD OENONE & PARIS The tender grass unhended still shall stand..
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SHAKESPEARE VENUS & ADONIS To note the fighting conflict of her hue,
How white and red each other did destroy.
HEYWOOD OENONE & PARIS
The white and
red were in his face at strife.
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SHAKESPEARE VENUS & ADONIS fear through all her sinews spread..
HEYWOOD OENONE & PARIS fear possessed every member.
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SHAKESPEARE VENUS & ADONIS And with his bonnet hides his angry brow.
HEYWOOD OENONE & PARIS His comely temples shadow'd with his hat.
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SHAKESPEARE VENUS & ADONIS His louring brows o'erwhelming his fair
sight,
Like misty vapours when they blot the sky. –
HEYWOOD OENONE & PARIS Look! as the louring clouds deface the skies,
So was my face obscured with mine eyes.
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SHAKESPEARE VENUS & ADONIS Even by the stern and direful god of war,
Whose
sinewy neck in battle ne'er did bow . . .
Yet hath he
been my captive. --.
HEYWOOD OENONE & PARIS And he [the god of war], that always foiled where he fighted,
Hath been e'en captivated.
