For centuries, the question of Shakespeare's authorship has puzzled readers, scholars, and researchers.
This blog presents a comprehensive solution:
The Multi-Pseudonymity Theory (MPT).
According to my research, Christopher Marlowe — officially declared dead in 1593 — survived and continued to write under multiple pseudonyms.
The same iodiomatic Metaphor was used by 3 poets living at the same time:
Christopher MARLOWE--
William SHAKE-SPEARE --
Thomas HEYWOOD
the launching of a Thousand Ships
THIS FITS THE OBSERVATION:
The great tragic Epic Poem "Lucrece", by William SHAKESPEARE
appeared as a stage Play "The Rape of Lucrece" (A "True ... Tragedy") by Thomas HEYWOOD!
Isn't it logic and plausible that the inventor of the poetic metaphor of the crime of
Tarquin against Lucrece was the same [C.M.] who published his auto-biographical parable or metaphor (his offense as a "Traitor" against the Queen) as a "True ...Tragedie".
William Shakespeare Thomas Heywood
Thus, it seems more logical and plausible to assume, that
The "LAUNCHING OF A THOUSAND SHIPS"
must have originated from
one and the same brain .
------------------
Thomas Heywood: The English Traveller"
Beginning of the Epistle "To the Reader"....
"Thomas Heywood"
Who was this extreme prolific writer? It seems far more likely than that Heywood's two hundred and twenty 220 Plays have completely disappeared, that they still exist, but were written and printed under a great variety of pennames.
Given the high literary level and the additional informations about Heywood
the only plausible conclusion remains that Heywood (like Shake-speare) must have belonged
In the Book Palladis Tamia (1598) the author Francis Meres talks about 2 Lists of the best playwrights for comedies (17) and for tragedies (12)
OxfordianAlexander Waugh takes from those 2 Lists the 22 Contemporary playwrights who have been active in the London theater scene before 1598 and who were virtually all connected to Each Other, with the very
remarkable exception of
Shakespeare, with no contemporary record
whatsoever linking HIM to Anyone
of those playwrights during his Lifetime.-
And Yet he is the most famous playwright of his days.-
one can fully agree with Waugh's observation and explanation (at the end:
It is as if ...)
there was no playwright called William Shakespeare
at the time!
————————————————————————————
There was, however at the time a "true" poet genius, a literary Giant and playwright superstar in London: ... who was by no means Edward de Vere, the 17th Earl of Oxford
but unquestionably Christopher Marlowe.
What a shame: from a certain age onward men
(even Alexander Waugh) can no longer jump over their shadows!
